Mar 18 2011

Reflections: Richard Walter Screenwriting Public Lecture

glenjplayer

It’s been some days since I attended Richard Walter’s Public Lecture on Screenwriting held in conjunction with Aftrs, Griffith Film School and Inscription and herein lies some reflections on the experience.

Comprising of 2 two hour lectures one in the morning and one in the afternoon, it’s a both an entertaining and informative day on thinking about the craft of writing.

In the morning Richard took us through some introductory remarks on screenwriting that really serve to frame how he thinks both about the craft and and what constitutes a good screenplay.

He’s got his own cute ways of saying things which you can read about in his books, and this is what I took away from it:

  • write a personal story
  • write a integrated screen so that  EVERY sight and every sound – MOVES the story forward
  • Reach as many people as you can, because that is the nature of the art.
  • Get as much conflict in your story as you can
  • Tell the best lie you can to find Emotional Truth
  • Stories have begins, middles and ends
  • and perhaps most importantly, for a story to mean anything it needs to come from a Source, via a Message, and to a Receiver.
  • And that in fact one of the most important things a writer can do is think about their Receiver/Reader/Audience every single step of the way, every word, every mark on the page.

Appropriately all of this can be found in books, and I would recommend you read them before you listen to him speak.

In the second two hours the final point above gets a real work over, where he breaks down in brief a few screenplays to see how they could be improved. Yes, every word, every mark on the page. It’s a bit of an eye-opener.

Right.

So, what do we have? Some useful information, but if that’s all you need than it is significantly cheaper to read his book.

But more importantly you get an entertainment.

What are we saying here? Richard even in his public lecture takes his own advice to heart. Every anecdote, every little screenwriting gem – told and re-told through countless hours of teaching – each now refined and is delivered just so to both entertain and inform.

It’s like the man doesn’t know how not to entertain. A good place to be if you want to get into a craft whose primary purpose is to do just that.

Lecture attended: Richard Walters Screenwriting Public Lecture.

More info http://richardwalter.com/

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Mar 23 2010

Review: The Diving Bell and the Butterfly

glenjplayer

This French film from 2007 is despite its subject a celebration of life and living. Adapted from a memoir of the same name, the reality behind the drama gives it a haunting quality that stays with you for some time.

The hero of the movie, a journalist, wakes to find himself with locked-in syndrome. This rare medical condition has the victim paralysed from the neck down, unable to speak, vision and hearing impaired, he can only communicate through blinking. This slow and painful process doesn’t sound like the subject of film, yet through some expressive film making we get a window inside the life of this anti-hero.

We are introduced to the important people in his life, how their relationships change, and don’t. The landscape is both real and fiction, it is a place where history, future and imagination combine, with an ending as surprising as it is moving.

This is beautiful adult movie making. Recommended for lovers, romantics, and dates.

Watched 21 March 2010. Available at your local video store.

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